In the fall, we started the design for a new house in Sand Point. Â Although the project stalled here in schematic design, we were very excited about the work, and hopefully it will come back in some form (we recycle!). Â Here are the three schematic designs we presented: Scheme 1: Â PLUS
The clients wanted to have a 'permeable' house with soft transitions that welcomed neighbors but kept private space private. Â The design delineated the corner site into 4 quadrants with varying degrees of privacy. Â A manicured garden graces the stepped path from the very public corner, while the upper drive on the southwest provides the day to day family entrance (at grade for the client's aging parents. Â One the northeast, a wide terrace off the living spaces provides a great entertaining space that opens to the more quiet neighborhood edge. Â The two volumes of the plus create a very private backyard on the southeast.
The house has a very clean organization--living spaces are lined up in the lower volume, each with access to the eastern terrace/backyard, with the bedrooms stretched across the second story volume. Â The second story volume bridges over the first story, bookended with a mudroom and a semi-detached mother-in-law, creating two apertures--one for the entry, the second for an covered outdoor living room. Â At the intersection of the two volumes we have an atrium with a sculptural stair.




Scheme 2: Â HINGE
The second scheme is also addresses the clients' concerns about overwhelming the street, creating a private backyard, and blurring the edge between garden and house. Â The design features a low slung wood and glass box with a broad, planar green roof along the west edge of the site. Â A two story box, following the north site edge, contains the living room, media room and mother-in-law on the main floor, with bedrooms and a double studio/playroom above.

If the first scheme is PLUS, this one probably should have been nicknamed 'minus' because the overlap of the two volumes is subtracted to make a dramatic vertical space where the geometries interact. Â In the morning, light floods the kitchen. Â In the evening, the screened/glass wall on the western wall of the second story filters through to the living room:



Scheme 3: Â WING
The central idea of the WING scheme is two volumes--one private, one public--connected by a glass skinned entry, under a big angular roof. Â Again we're reinforcing the site's geometry to vary the degrees of privacy and expand the livable space of the house beyond the envelope with a series of outdoor spaces each with a unique character and function. Â At the corner, a terrace defined with a low seat wall, is the place for after dinner drinks, sunsets, and engaging with the neighbors. Toward the backyard, we have a perfect spot for baking in the summer sun, and a outdoor hangout/informal dining space with fireplace adjacent to the kitchen.




Of the three options, the clients' preference was PLUS. Â It has the strongest volumetric presence, an elemental simplicity and it handled the site issues and their program with sophistication and subtlety.

We can't seem to get enough of Seattle's new citywide backyard cottage ordinance...





We are very excited to see
Our installation just got linked on the
We have been working on a house remodel in Sammamish for the last year and a half and it is finally closing in on completion, so I fiqured I post some construction photos from my site visit this morning. Â One my favorite elements is a screen porch off the dining room, partially because it is a great example of the client's vital participation in the process, and part because it is going to be such a wonderful place to hang out. Â The screen porch was born in programming when we were discussing how half the family loved hanging out outdoors, but the other half hated the bugs. Â In order to keep the family together, the screen porch was the simple solution. Â Connected to the dining room via a large panel siding door, framed with care so that the structure is all exposed, it cuts to the soul of the house they wanted: Â engaged with the outdoors, family-centric, with a elegant simplicity that highlighted the materials and craft.
Next summer: the landscaping with a stairway that bridges across a simple water feature.
The family room is also starting to come together. Â The room has a band of 6' windows that wrap around three walls with bench seats below, a slate fireplace, and a coffered ceiling. Â The bench seats will have leather cushions and storage underneath for games etc, making it the perfect cozy hang out spot.
We are working on a collaborative art installation for the Nord Building's upcoming Alley Party, sponsored by two non-profits, Feet First and the International Sustainability Institute.
Greenwood resident Kate Lichtenstein contacted us last spring to help her design a backyard studio / guest house for her modest 650 square foot 1920's one bedroom home (shown above). While the home's scale fits nicely with Kate's desire to have a simple and ecologically responsible lifestyle it falls a little short when it comes to a rough and ready workshop space for art, bicycle repair, ski tuning and building projects. Kate's home also lacks the space for a home office / guest room - something that she would like to integrate into the new structure.
We just heard that another one of our projects is going to be featured in Fine Homebuilding Magazine!
The
CAST has been involved in a number of  pro bono projects over the years, such as
Cheers to Stefan for his excellent presentation at the NW Ecobuilding Guild's annual celebration of innovation in sustainability!